Biography Rachel Mcadams

Originally from London, Ontario-a picturesque Canadian town Rachel McAdams dreamed the spotlight at an early age. At 4, she began competing as an ice skater, but over the years the pressure from competition, and her mother, soon wore the young McAdams out. All the while, McAdams was traveling to nearby Stratford to attend local theater and soon developed an interest in acting. At 12, she performed Shakespeare at the Original Kids Theatre in her hometown. Rachel Mcadams won her first acting award in 1995 for her role in I Live In A Little Town, a high school play that was featured in the Ontario Showcase of the Sears Drama Festival. After gaining valuable skills and experience as an Original Kid and in high school performances, McAdams attended York University where she performed in numers of student films and stage productions. She graduated with honors with a Bachelor of Fine Arts degree in theater.

Rachel McAdams made her first on screen performance in "The Famous Jett Jackson" (Disney, 1998-2002) as Hannah, the bulimic older sister of one of the main characters. She went on to star in several movies-of-the-week, including "Guilt By Association" (2002), the first original movie to be produced by Court TV. McAdams also had a starring role in "Shotgun Love Dolls" (MTV, 2001), a pilot shot for the music network that ultimately collected dust on the shelf. Her feature debut came with "My Name is Tanino" (2001), a comedy helmed by Italian director Paolo Virzi, about a young, carefree Italian (Corrado Fortuna) who chases after an American tourist (McAdams) to the U.S. after their romantic liaison in his hometown. A breakout role in the Canadian feature "Perfect Pie" (2002) helped cement McAdams as an acting force to be reckoned with-her performance as the best friend of a small town girl who makes it big won her a nomination for a Genie Award, Canada's equivalent to the Oscar.

After a successful stint in Canada's entertainment industry, Rachel McAdams set her sights on Hollywood. Though many actors who try to transfer success from their native lands to America usually suffer years of struggle, McAdams managed to land a big role right out of the gate. She starred in "The Hot Chick" (2002), a teen comedy about a mean-spirited high school girl-popular, captain of the cheerleading squad and dating the quarterback-who gets a heavy dose of comeuppance when, though the workings of a spell, wakes up to find herself trapped in the body of a 30-something man played by Rob Schneider. Rachel McAdams did another turn as a mean-spirited high schooler in "Mean Girls" (2004), written by Saturday Night Live veteran Tina Fey. Though similar to her role in "The Hot Chick", McAdams delved deep into character by exploring the machine-like quality of wanting to hurt people just for the fun of it, and she also brought a surprisingly level of sympathy to the character.

Despite her spirit for playing mean girls, McAdams was always on the hunt for imaginative scripts with challenging characters. Her search paid off when she was cast in "The Notebook" (2004), a star-crossed period romance between a spunky Southern debutante and a poor but charming small town man (Ryan Gosling). An effectively sentimental and emotional film, "The Notebook" proved to be McAdams' breakout performance the actress popped off the the screen in nearly every scene she was in, running the full spectrum of emotion, and demonstrated the promise for a long and fruitful career.

Rachel Mcadams followed up with the popular Owen Wilson-Vince Vaughn comedy "Wedding Crashers" (2005), adding sparkle and verve to what might have otherwise been a thankless role as the woman who finally snares the inverterate wedding invader Wilson's heart. Then she took center stage in the Wes Craven thriller "Red Eye" (2005), playing a resourceful hotel employee who finds herself trapped on an airline flight with a menacing stranger (Cillian Murphy) who terrorizes her to switch the room of a political guest at her hotel in exchange for her father's life. Again McAdams demonstrated a strong on-screen magnetism and proved she could create a believable, relatable character in the midst of the most high-concept situation.